Well this is my fail post. It's a fail because I've completely failed at achieving my goals from the last post (to post more, to read 20 books, to get in shape, etc.) So fail. Big, big, fail on my part.
That being said, it's been a helluva year. Days after my last blog post I got hired at Gallus Entertainment, a great animation studio in Toronto. Unfortunately, it was not a senior position and I took the job because I was coming off a 6 month layoff. My confidence was at a low point, I felt disenfranchised and was becoming disenchanted with the entire animation industry. Regardless, I pulled up my socks and jumped into the studio and did my best. Really, I did. I did not let my depression or negativity come out (which is rampant in this industry) for a second and tried to model myself into a beacon of positivity and let my work show that I had more to offer than just a butt in a chair clicking away. In exactly 4 weeks of working like this, I was promoted to supervisor and became responsible for over 20 animators.
It was the professional moment I had been working towards for nearly 10 years. Gallus gave me total freedom to focus on getting the best out of the crew any which way I wanted to. I decided to become the supervisor I've always wanted to have. I implemented animation meetings (an open forum to let the workers feedback about the job and have them see what they say actually can affect change), a shot of the week rewards program and I shrank my quota so I could focus 100% on motivating seniors and educating juniors. I got to spend half my day in the edit suite making animation direction calls...my imput actually affecting final shots. It was the BEST job I've ever had, due to the fantastic crew, liberal administration and the respect people gave me really brought me out of that dark place I was just a month prior. I was able to secure a good mortgage rate and we bought our first house. But as we all know, happiness was and is fleeting...
We lost the project due to creative differences after 2 months and had to lay off about 80% of the crew. It was very sad...life teases us, gives us those little quips of what we think we want--maybe to provide incentive to dream bigger, to help realize potential. Anyway, I went from working on a dream show to working on a somewhat less glamorous one at a different location and just went back to cranking out footage. It wasn't ideal, but I stayed on until July and was eventually let go when the contracts dried up. Luckily, I was reinvigorated and my confidence had been restored so I knew I there were some great jobs out there, I just had to find them. Keep in mind, I had spent over 140 hours in the past year and a half testing for jobs (3 40 hour week-long take home tests, 3 on-site full day). Oh, and we found out Janela was pregnant my last day of work.
Eventually, with the added pressure of having a baby on the way, my search led me to Crowdwave Games...I was hired as Art Director for my first full time PERMANENT job in the games industry (with benefits t'boot). We made games for big screen game-day events at sports venues...section races, energy meters, games for 20,000-100,000 people to play simultaneously. Yet again, I got to lead a staggering talented team of artists to execute the owner's vision and to be as innovative as possible within a very specific set of parameters. Challenge accepted. And throttled. With the team I had, we brought the quality of work (in both its aesthetics and innovative gameplay) to a new level and dream job #2 was in full effect. And then they closed the studio and laid us all off. Sigh. Damn basketball lockout...
So there I was again...out on my toosh, looking for work. Luckily, now with 2 directing credits on my CV. That opened up some doors--though to no channels that actually got realized. The next thing I knew, I got a call from a good friend in the industry who was trying to fill an animator's position at a small, new studio just west of the city. Had we not been pregnant, I doubt I'd have taken the job...but reality is what it is, so I was back to commuting to another city for work--something I hadn't done since my first real industry job 9 years ago. Hell, if I could commute 2 hrs each way as a starry-eyed heel-nipper right out of college, I can commute 1 hr and 15 minutes as a curmudgeony pappa-to-be today.
It is now my 2nd week at this job and it's actually great. Again, I tried to shelf the ego and contribute the best possible work I could, regardless if I felt like I wasn't in a position to realize my full potential. But, the truth is, it's the individual who decides if one wants their potential realized...and I'm doing some of the nicest (though subtle) work I've done in years. Also, the crew here is very "green", but ready to learn and improve without a bunch of bad habits that have to be unlearned. It's a great place for me to shine and the boss is very open to hear what I can do beyond just being an animator and cranking out footage.
So here we are...now back with a steady job, a story and a litany of excuses why this blog failed fiercely this year. I have a house/mortgage, a 6 month pregnant wife and a new job; all of which have contributed to not just changes in my life, but a full on paradigm shift. I've been very fortunate to have all these opportunities come my way and I expect 2012 to be even crazier. Now, time to get back in shape, read some books and make this updating thing at least once a week. Anyway, thanks for reading and keeping abreast of my life. The intermittent sketches I've added were all done in the past 2 weeks and I'm working on some doozies that will be posted over the next few months.
Cheers, best wishes and stay positive in hard times...it leads to opportunities you won't see coming.
Sketching and Kvetching
Sunday, November 13, 2011
Monday, January 10, 2011
Happy New Year Me Mateys...!
And so as the new year begins to unfold, we clear the crusty 2010 sleep boogers from our eyes to blink anew in 2011. It's a budding January and my resolutions have yet to become lies. So, while I'm promising that THIS YEAR will be the one to get in shape, I might as well throw down blogging regularly, reading at least 20 books this year and maybe even (while I'm amidst delusion) inspiring at least 1 person to draw for fun.
Well here's at least hoping the blogging bug better bite my butt again...I got a great feeling from starting it last year and I hope to make it interesting this year. I promise the following:
-More Sketching!
-More Kvetching!
-Less offensive odor!*
*no guarantee
Thanks all and enjoy some old faves of mine from past sketchbooks!
Cheers,
Matt
Well here's at least hoping the blogging bug better bite my butt again...I got a great feeling from starting it last year and I hope to make it interesting this year. I promise the following:
-More Sketching!
-More Kvetching!
-Less offensive odor!*
*no guarantee
Thanks all and enjoy some old faves of mine from past sketchbooks!
Cheers,
Matt
Tuesday, November 30, 2010
Saturday, November 6, 2010
Life Sketches from an oldie...!
Here's some streetcar, bus and subway sketches. You should do some too.
Don't let lines on the page stop you...you can use them as guides to keep features and proportions in line.
Tuesday, October 26, 2010
Subway Sketchery
SUBWAY SKETCHING!!!
A big shout out to Bobby + Kei over at Imaginism studios...(check them out in the links) for introducing me to one of my now favorite pastimes. I started doing this a few years ago, and it's really the only life drawing I do nowadays. It's immeasurably educational...you learn so much about people, in addition to the fundamentals of proportion, form and character.
Having fun with composition....
Playing with pens!
And colour!
SUBWAY SKETCHING--do it everytime you're on the damn train.
A big shout out to Bobby + Kei over at Imaginism studios...(check them out in the links) for introducing me to one of my now favorite pastimes. I started doing this a few years ago, and it's really the only life drawing I do nowadays. It's immeasurably educational...you learn so much about people, in addition to the fundamentals of proportion, form and character.
I have about 10 sketchbooks full of these...it's great, there aren't 2 that are alike. It's also my introductory course into caricaturing (a skill I have yet to master, though I'll get the hang of it someday). Most people never notice I'm drawing them, I think it's important to make sure I don't make anyone feel awkward...after they're the ones who are doing me a favor, I should be considerate to their comfort level. I learned some tricks though...choosing already occupied subjects (reading, talking, sleeping, etc), using periferal vision to spy on people until their attention is elsewhere, using multiple subjects for 1 pose (someone else's nose or mouth on the face). The important thing is to keep your momentum, be polite and be considerate.
Having fun with composition....
Playing with pens!
And colour!
SUBWAY SKETCHING--do it everytime you're on the damn train.
Thursday, October 21, 2010
Freakiest thing I ever drew...and a word about colour.
This came from a nightmare after eating too much gelato.
I have to admit, I'm a bit of a chromaphobe...(defined as: scared poopless of colours). This is a shameful confession...I think back to the Wizard of Oz; at the point in the film where she lands in Oz and everything has gone from old-timey black and white to brilliant new eye-searing technocolor. The colours assault the viewer, skewing reality and making this new world magical and fantastic. This is a power only colour has...a power I've mostly steered clear from, mostly due to disinterest though certainly born in fear.
So, now I play with colour and though it's daunting, I'm filled with joy at even my biggest failures. This image is soooo much more horrifying with the cotton candy palette rather than some monochromatic greyed out scheme that I'd normally concoct. I have a tendency to be muddy in the shadows and not push contrasts enough...but identifying one's weaknesses is the first step in eliminating them, so I'm confident I'll improve quickly.
Anyway, please feel free to comment with your experiences with the POWER OF COLOUR...or creepy gelato nightmare men.
Cheers,
matt
Tuesday, October 19, 2010
Deadwoodish
A few years back, I really got into Deadwood. Man, that show was cool...visceral, unapologetic and very thoughtful. Also, violent as all hell and the brilliant dialogue was very generously peppered with so much profanity, it could make Joe Pesci crap his pantaloons. I do not recommend doing what I did, watching the entire series without intermittent breaks of normal TV...you will fall into the illusion. Sure, you won't think you're in an outlaw-led frontierstown in 1878...but your speech might devolve into something that sounds more like this:
Mine did for a bit...proof that there is such thing as too much of a good thing. It's a weird feeling when you notice something has directly influenced your behavior...it becomes a part of your character, part of you, just as much as your politics or belief system. Luckily, I've now shaken off all the bad influences that HBO branded into me...now please excuse me, I have to re-watch the Wire for the fourth time. 'Cause that's how we do.
So, these sketches are not of anyone in particular in the show...they were mostly done in transit, all just for fun--so you may see some random subway sketches in there.
Cheers, Matt
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